There are so many soothing lens options for the A7/A7s/A7r until additional FE lenses come out. I do enjoy playing the villain a bit with the FE lineup. Yes, I’ve complained pertinaciously(see definition, fits perfectly), but I do have faith that Sony, Zeiss, perhaps Sigma, or others like Rokinon, Samyang etc. will drop in another hole in one (like the FE 55mm 1.8.), specifically tailored for the FE Mount. I’ve composed a pretty good list, which is always subject to debate and taste, of the lenses I use and other standouts. Most have to take screw in filters. I photo a lot of water and need polarisers. I won’t deal with back filters or Lee systems etc. I’ve seen guys tape tinted glass on their cameras…. not for me. All lenses on the list have a DXO mark rating of 27 or higher. 27 seems to be the cut off from ordinary. Finally, full frame capable. Going to cropped for some extra range is nice at times, but basically want all the picture you can get.
First the wide angles.
The Zeiss Distagon, 15mm 2.8 Cost, $2950… is considered by many, the best wide angle ever made. See Ken Rockwell, the Digital Picture, 3d-Kraft. There is even a M mount version $3900+/-, that’s slightly smaller than the Canon ZE, or Nikon ZF.2. I believe at this time, only the Canon version, with Metabones or RJcamera smart adapters($269-$399), will show all data in the camera and are full frame compatible. The filters, $200-$300 ea. It’s the best, what can you say?
Since the A7’s have come out many people like to throw the 14mm f/2.8 Rokinon/Samyang/Bower, etc into the mix. It’s a low price alternative, around $400. It takes no filters and has high distortion(can be alleviated fairly well in post processing). Image quality and resolution seem very good. It weighs less than the Zeiss and looks like a fun lens. There is a Canon version that will transfer data through the adapter.
If you’re a Leica fan, and I’d love to try this lens, the Leica 21mm f/3.4 Super Elmar M Lens $2995. It does take filters(46mm), it’s the most lightweight of the three. You will need an M to Sony NEX adapter. Manual focus only.
The 35mm range
The Sigma, Art 35mm 1.4 DG, So far, in limited use this lens is crisp. In larger landscapes you sacrifice some DOF by topping out at F16, as the Cape Flattery shot illustrates. I’ve seen some incredible shallow DOF shots in the forums. The three following shots at our new restaurant, highlight the lens capabilities wide open.
It’s not a light lens @ 665 grams. Cost $900, takes 67mm filters. It has a very good price to quality value. You can buy any Sigma lens with a Sony A mount, which when coupled with the La-e4 adapter has excellent AF.
Next on the list has to be the Native, Zeiss Sony 35mm, FE Sonnar T*, 2.8 ZA. This lens would have been a slam dunk choice if it had the quality of the Sonnar 55mm. It rates significantly lower than the Sigma, 33 to 43, although it is a very high quality performer. It’s still a moderately fast lens, and weighs next to nothing @ 4.23 ounces. Only…$800
Several manual focus gems are out there and if anyone would like to loan one to me…. the Voigtlander 35mm F1.2 Nokton Leica, Leica Summilux-M 35 mm f/1.4 ASPH or the Leica-Summicron M 35mm f/2 Asph. Read the Gear Patrol review on 35mm lenses for additional info.
I can’t drive 55…mm
Thanks Sammy Hagar. The 55mm, FE Sonnar T* 1.8 ZA pretty much ends this conversation about 55mm lenses for the A7’s. Best auto focus 55mm ever tested according to DXO, SonyAlphaRumors. Shoots outstanding video with all three cameras. The only lens better is the OTUS, 55mm. The Otus is a tank(3 1/2 times the size of the FE), has close to perfect optics and is manual focus. In four Sony Facebook Groups, only 55 talked about… is the FE.
Macro lenses…. oh soo close…up
There’s too much territory to cover in great detail in this class, but here are some awesome choices!
Carl Zeiss Makro-Planar T* 100mm f/2 ZF2 $1850
Carl Zeiss Apo Sonnar T* 2/135 ZE $1600
Sigma 85mm 1.4 EX DG Canon $970
Canon EF 100mm f/2.8 L USM $970
Minolta Maxxum 100mm f/2.8 Macro $400 used, See Ken Rockwell review.
I’m lucky enough to own three of these lenses. My backup camera is a 5D mk III and two of them fit that camera too. Today on a budget I’d track down a Minolta. It was produced in a Sony E mount and should be a rock star on the A7r with a Le-a4 adapter.
Can we get some Zoomage please!
This is by far the hardest category and the most controversial. Forum wars with comments near a 100 per thread, are common. This series started out over disappointment in the Native 28-70 FE kit lens, and the Zeiss Sony 24-70 Vario Tessar T* FE F4. The 24-70 Tessar is damn good in the center, comparable with any of the lenses. It just loses clarity on the edges, which is really bad for a landscape photographer!
Hope springs eternal on the about to be released FE 16-35mm F4. Sony did well in their “G” 70-200 FE lens(see DXO comparison of these native FE lenses). It’s good edge to edge, has excellent resolution, and AF on the A7s & A7 is fast. It’s certainly worthy of leaving the other macro lenses at home and getting great shots if you want to go light. For now I’ve put my money into a Sony Vario-Sonnar T* 16-35mm F2.8 ZA SSM, $1600, plus the La-e4 adapter. The Sonnar T* design really shines edge to edge. It will arrive Thursday and hopefully I will report nothing but rave reviews!
Several other zooms have to be considered. The Canon EF 16-35mm f/2.8L II USM $1400
which I’ve used extensively on the 5D Mk III, is a wonderful lens. It looks like the most popular lens in the Sony Forums as well. Price to value is very good.
Another choice that is more budget friendly is the Sigma 17-35mm F2.8-4 EX DG Aspherical HSM, $350
Conclusions and final thoughts!
There are many other lens options that work very well on this system. One forum going pointed out that the old Canon FD lens with adapter are another wonderful choice. They are expensive in the open market, but if you run into one, grab it and get the Canon FD to Nex adapter(there are several inexpensive alternatives). The optics from what I’ve researched are outstanding and there is a variety of focal lengths.
I don’t talk much about Nikon glass. Until someone puts out a Nikon “smart” adapter, they remain manual focus with no information transferred to the camera. Nikon’s best lenses are well known, ez to research and are great choices in many cases.
Right as I was winding down this post, a couple sources said that 5 of the ZM mount, manual focus, Zeiss lenses are going to be re-released with the FE mount. Hopefully so!