The “Un-Official” Non Native Lens Guide for the A7 Series cameras…

Otus in Mitakon eyes-07457
The ultimate lens, shot with hottest super fast entry, Mitakon 50mm 0.95, Dark Knight edition

In an effort to find the best lenses out there for the A7r, I put forth a simple open source Google sheets spreadsheet guide, that has started to take off! Starting with my own collection it’s now close to 80 lens profiles!   The “UN-Official A7r Non Native Lens Guide”  is public access, anyone can add a lens to it.  It is deliberately kept very simple with few headings with only short notes on each entry.  Essentially a quick reference guide to see if the lens you’re considering for your A7 series camera is worth investigation!  WE ask that people who participate keep it simple….  If two people have different experiences, just add them.  It’s not to argue, debate or judge.

Many wonderful legacy & modern options have made it on the list,

  • Canon FD 50mm 1.2L
  • Voigtlander 50 F1.1 Nokton
  • Zeiss Apo Distagon, Otus 55mm 1.4
  • Minolta Rokkor MC, 58mm f1.2
  • Mitakon 50mm 0.95 Dark Knight Edition
  • …. plus many more

The Sony A7 series is such a wonderful system with a litany of glass available, it seemed a natural fit to make this resource guide.  Never is it to be used for profit and it’s link is easily accessed in many Sony A7 related Facebook Groups.

Many adapter types are listed so you can see what was paired with the lenses.   For more in depth analysis please utilize Brian Smith’s awesome Sony A7 adapter guide.

I do ask that anyone sharing this guide please copy a link to my blog, webpage or both. I do have ongoing aspirations to be known as a Fine Art landscape photographer and some of my work has caught a bit of recognition.   I look forward to additional comments and suggestions!

The Canon FD & MC Rokkor PG 58mm captured with Pentax SMC 50mm 1.2

Lens alternatives for the Sony A7r, the worlds preeminent full frame camera!

There are so many soothing lens options for the A7/A7s/A7r until additional FE lenses come out.  I do enjoy playing the villain a bit with the FE lineup.  Yes,  I’ve complained pertinaciously(see definition, fits perfectly), but I do have faith that Sony, Zeiss, perhaps Sigma, or others like Rokinon, Samyang etc. will drop in another hole in one (like the FE 55mm 1.8.),  specifically tailored for the FE Mount.  I’ve composed a pretty good list, which is always subject to debate and taste, of the lenses I use and other standouts.  Most have to take screw in filters.  I photo a lot of water and need polarisers.   I won’t deal with back filters or Lee systems etc.  I’ve seen guys tape tinted glass on their cameras….  not for me.   All lenses on the list have a DXO mark rating of 27 or higher.  27 seems to be the cut off from ordinary.  Finally, full frame capable.  Going to cropped for some extra range is nice at times, but basically want all the picture you can get.

The boys II-6751
Left to right, FE 55mm, “G’ Sony FE 70-200mm, Sigma 85mm 1.4, Sigma 35mm Art, 1.4, Zeiss Distagon 15mm Zf.2, Zeiss Makro Planar 100mm, Zf.2 Adapters, Metabones IV, Zykkor EF to NEX, NIkon to NEX Tilt shift, Novoflex Nikon to Nex

First the wide angles.

The Zeiss Distagon, 15mm 2.8 Cost, $2950…  is considered by many, the best wide angle ever made.  See Ken Rockwell, the Digital Picture, 3d-Kraft.  There is even a M mount version $3900+/-, that’s slightly smaller than the Canon ZE, or Nikon ZF.2.  I believe at this time, only the Canon version, with Metabones or RJcamera smart adapters($269-$399), will show all data in the camera and are full frame compatible.  The filters, $200-$300 ea.  It’s the best, what can you say?

Since the A7’s have come out many people like to throw the 14mm f/2.8 Rokinon/Samyang/Bower, etc  into the mix.   It’s a low price alternative, around $400.  It takes no filters and has high distortion(can be alleviated fairly well in post processing).  Image quality and resolution seem very good.  It weighs less than the Zeiss and looks like a fun lens.  There is a Canon version that will transfer data through the adapter.

If you’re a Leica fan, and I’d love to try this lens, the Leica 21mm f/3.4 Super Elmar M Lens $2995.    It does take filters(46mm), it’s the most lightweight of the three.  You will need an M to Sony NEX adapter.  Manual focus only.

 The 3 DXO wide angel lens specs.

The 35mm range

The Sigma, Art 35mm 1.4 DG, So far,  in limited use this lens is crisp.   In larger landscapes you sacrifice some DOF by topping out at F16, as the Cape Flattery shot illustrates.  I’ve seen some incredible shallow DOF shots in the forums.  The three following shots at our new restaurant, highlight the lens capabilities wide open.

sigma 35 f16-01253
Cape Flattery WA, Sigma 35mm A F/1.4 DG @ f16
Planter box 35mm 1.4-01460
Sigma 35mm A 1.4, shot @ 1.4 1/400 sec, hand held. The detail in the middle of the planter is fantastic. That’s not distortion, the board is very warped.
Sigma 35mm 1.4 A  90% crop
Andy 35mm 1.4-01465
Andy, our contractors Golden, resting, Sigma 35mm @ 1.4

 

It’s not a light lens @ 665 grams.  Cost $900, takes 67mm filters.  It has a very good price to quality value.  You can buy any Sigma lens with a Sony A mount, which when coupled with the La-e4 adapter has excellent AF.

Next on the list has to be the Native, Zeiss Sony 35mm, FE Sonnar T*, 2.8 ZA.  This lens would have been a slam dunk choice if it had the quality of the Sonnar 55mm.  It rates significantly lower than the Sigma, 33 to 43, although it is a very high quality performer.  It’s still a moderately fast lens, and weighs next to nothing @ 4.23 ounces.  Only…$800

Several manual focus gems are out there and if anyone would like to loan one to me…. the Voigtlander 35mm F1.2 Nokton Leica, Leica Summilux-M 35 mm f/1.4 ASPH or the Leica-Summicron M 35mm f/2 Asph. Read the Gear Patrol review on 35mm lenses for additional info.

I can’t drive 55…mm

Thanks Sammy Hagar.  The 55mm, FE Sonnar T* 1.8 ZA pretty much ends this conversation about 55mm lenses for the A7’s.  Best auto focus 55mm ever tested according to DXO, SonyAlphaRumors.  Shoots outstanding video with all three cameras.  The only lens better is the OTUS, 55mm.  The Otus is a tank(3 1/2 times the size of the FE), has close to perfect optics and is manual focus.  In four Sony Facebook Groups, only 55 talked about… is the FE.

 Macro lenses….  oh soo close…up

There’s too much territory to cover in great detail in this class, but here are some awesome choices!

Flash Macro 100mm-00840
Wonderful transitions in focus on the Zeiss, 100mm Makro Planar T*, ZF.2. Flash, our Black Lab sitting on the bed….

Carl Zeiss Makro-Planar T* 100mm f/2 ZF2  $1850

Carl Zeiss Apo Sonnar T* 2/135 ZE  $1600

Sigma 85mm 1.4 EX DG Canon  $970

Canon EF 100mm f/2.8 L USM   $970

Minolta Maxxum 100mm f/2.8 Macro $400 used,  See Ken Rockwell review.

Leica TS-APO-ELMAR-S 120 mm f/5.6 ASPH$7300++

I’m lucky enough to own three of these lenses.  My backup camera is a 5D mk III and two of them fit that camera too.  Today on a budget I’d track down a Minolta.  It was produced in a Sony E mount and should be a rock star on the A7r with a Le-a4 adapter.

Can we get some Zoomage please!

This is by far the hardest category and the most controversial.   Forum wars with comments near a 100 per thread, are common.  This series started out over disappointment in the Native 28-70 FE kit lens, and the Zeiss Sony 24-70 Vario Tessar T* FE F4.  The 24-70 Tessar is damn good in the center, comparable with any of the lenses.  It just loses clarity on the edges, which is really bad for a landscape photographer!

Hope springs eternal on the about to be released FE 16-35mm F4.  Sony did well in their “G” 70-200 FE lens(see DXO comparison of these native FE lenses).  It’s good edge to edge, has excellent resolution, and AF on the A7s & A7 is fast.  It’s certainly worthy of leaving the other macro lenses at home and getting great shots if you want to go light.  For now I’ve put my money into a Sony Vario-Sonnar T* 16-35mm F2.8 ZA SSM, $1600, plus the La-e4 adapter.   The Sonnar T* design really shines edge to edge.  It will arrive Thursday and hopefully I will report nothing but rave reviews!

Several other zooms have to be considered.  The Canon EF 16-35mm f/2.8L II USM  $1400
which I’ve used extensively on the 5D Mk III, is a wonderful lens.  It looks like the most popular lens in the Sony Forums as well.  Price to value is very good.  

Another choice that is more budget friendly is the Sigma 17-35mm F2.8-4 EX DG Aspherical HSM, $350

Conclusions and final thoughts!

There are many other lens options that work very well on this system.  One forum going pointed out that the old Canon FD lens with adapter are another wonderful choice.  They are expensive in the open market, but if you run into one, grab it and get the Canon FD to Nex adapter(there are several inexpensive alternatives).   The optics from what I’ve researched are outstanding and there is a variety of focal lengths.

I don’t talk much about Nikon glass.  Until someone puts out a Nikon “smart” adapter, they remain manual focus with no information transferred to the camera.  Nikon’s best lenses are well known, ez to research and are great choices in many cases.

Right as I was winding down this post, a couple sources said that 5 of the  ZM mount, manual focus, Zeiss lenses are going to be re-released with the FE mount.   Hopefully so!

 

Laughing at Time

Laughing at Time Bristlecone Pines are one of my favorite subjects. They thrive above 11,000 ft, often quite a hike from parking lots, and generally 20-30 miles inside of park boundaries, making for long drives. These timeless trees are inspiring, ageless and their beauty is among the greatest natural wonders in the world.
This tree in Great Basin National Park, has taken everything nature has thrown at it for over 4,000 years. It “Laughs at Time.”

High Plains Drifter

Got to spend a unforgettable Labor Day weekend in Laramie Wyoming. Some might say that all weekends in Laramie are unforgettable, especially in winter! This special weekend was actually for my wedding. My son started at UofWyo this fall and couldn’t leave, so we brought the festivities to him!
Unplanned photo shoots can be a tremendous amount of fun. They are very spontaneous and the weather in the High Plains hasn’t disappointed me yet in three overall visits.  “Cowboy Sunset”  was near the #Laramie Airport with

Antelope Sunset-2223Antelope walking purposefully along a ridge with the #sunset behind them.

The same evening, just up the road a piece produced this stunning storm cell with showers and a rainbow cascading down from the clouds.

Healing Light-2209

My lovely bride and I discovered this bull moose (in a moose jam!) hanging out with his buddy who never stood up.

Power Animal-2186

This raindrop covered scene was on the Turtle Rock Trail.

Wild Berries

Turtle Rock area in #MedicineBow National Forrest. Turtle Rock-1805

The scope of all these photos covers vast #Landscapes and #MacroPhotography.  It also includes #wildlifephotography (which I’m improving slightly…) and used three lenses, the Nikor 28-300, Zeiss 100mm Makro Planar and Zeiss 15mm Distagon.   Although I love this free form sort of photography (“there’s always something to shoot.”), one of my developmental goals is planning shoots and more location scouting.  It’s more of a time investment, that when traveling on vacation, is prohibitive.